Poppy released her seventh studio album, Empty Hands, on January 23, 2026, via Sumerian Records. The album blends industrial, pop, and surrealist elements, and is characterized by heavy, guitar-driven and electronic sounds.
No musical discipline seems foreign to Poppy. She is not only a performer, but also a video director, a writer of science-fiction graphic novels, and a musician who travels the world. Poppy is an artist in constant evolution, continually reinventing her musical universe—and above all, someone you absolutely have to (re)discover live!
On Monday, March 30, she will present Empty Hands at AB, and tickets are still available!
- ‘Poppy’s seventh album is not just a visceral eruption of rage, but her most chameleonic, creative body of work to date.’ – Kerrang
- “Rot in piss in your shallow grave,” Poppy shrieks like a banshee on “Dying to Forget,” a frantic, stomping thrasher in which Poppy’s vocal in the chorus swoops in on the listener (and subject of the song) like a hawk dropping out of the sky to grab hold of its scurrying prey with razor-sharp talons. And that is far from the only moment on this record when Poppy unleashes her corrosive, spiteful, and well-earned rage. ‘ – New Noise Magazine
- "Empty Hands" marks Poppy’s seventh studio album, and with each new release, she crystallizes her identity as a true visionary unconcerned with genre. The album draws from eclectic influences, with industrial elements, pop sensibilities, and moments that call back to Poppy’s surrealist roots with her signature uncanny, machine-like voice.’ – Front View Magazine
- ‘Poppy remains a curious, wonderful weirdo — one still intent on corrupting and distorting big-room metal into new shapes, whether sleeker or uglier. If a definable thesis exists for Poppy, it’s that the strangest sounds and voices in music are just as valuable as the prettiest ones, and that the real magic happens when you mash them together, turning catchy metal into a chaotic, mutated conversation between beauty and noise.’ – Revolver Magazine
